Posts Tagged ‘Motown’

By Joe Klein

***UPDATE NOVEMBER 17, 2009—New information we received since last week’s release of the new J5 album necessitates a change to a portion of the information included in this post and will be updated once all of the details are sorted out and confirmed with all the sources involved. The revised facts and corrections to the story will be included in a new post to this blog which will appear within the next couple of days!***

All of us at New Media Creative are very excited for our good friend RUSS TERRANA, the legendary Motown Records sound recording engineer who recorded and mixed no less than 92 NUMBER ONE RECORDS during his illustrious and decades-long career!

Yesterday marked the release of the first “new” JACKSON 5 album in decades! The album, called I WANT YOU BACK! UNRELEASED MASTERS is a collection of a dozen previously unreleased tracks recorded by The J5 back in their early years at Motown Records (1969-1970) at the same time they were recording their early smash hits at the label. The entire album was mixed down by Russ in this past September!

Russ mixed all of the early Jackson 5 hits while still working for Motown in their Detroit studios. The first Motown Jackson 5 tracks were recorded in Detroit in the summer of 1969, with producer BOBBY TAYLOR. At that time, BERRY GORDY began to migrate Motown to Hollywood (where they ultimately totally relocated by 1972.) He moved his hot new “boy band” out to L.A. and finished recording the first Jackson 5 album in a small studio in the West Hollywood area of L.A. Taylor produced a few more songs, and a new production team, dubbed THE CORPORATION by Berry Gordy, which was comprised of Gordy, FREDDIE PERREN, DEKE RICHARDS and ALPHONZO MIZELL, produced the final two songs for the album, one of which was the #1 smash I WANT YOU BACK, which propelled the group to instant stardom after its release.

Gordy was not happy with the original mixes of the album made in L.A. and sent the tapes back to Detroit to have his resident “mix-master” Russ remix the the album

Berry loved Russ’ new mixes and released them as the debut Jackson 5 album, DIANA ROSS PRESENTS THE JACKSON 5 in December of 1969. The album quickly rocketed up the charts, hitting  #1 on the R&B charts and #5 on the pop charts in the months to follow. The only single from that first album, I WANT YOU BACK, was itself a #1 smash that set the tone for a string of #1 hit singles and albums to follow (all of which were also mixed by Russ) and, the rest is, as they say “music history!”

Early this year, just as the celebration of Motown’s Fiftieth Anniversary had begun” and preparations for the fortieth anniversary of the first Jackson 5 releases were getting underway, Universal Music Enterprises started searching the Motown vaults and unearthed a stash of old Michael Jackson and Jackson 5 master tapes with the hopes of unearthing a few hidden gems to release this year.

The company hit pay dirt in the spring and started reviewing the newly-found masters to determine which were good candidates for a release late this year. Then came the sudden, tragic death of Michael in late June which, naturally gave the “lost tracks” new historical significance.

HARRY WEINGER, vice president of A&R for UNIVERSAL MUSIC ENTERPRISES, the company responsible for the creation and packaging of the Motown Records catalog of hits, passed along this information to me last month. “I started looking through J5 and MJ Motown masters earlier this year in anticipation of the J5’s 40th anniversary. Obviously, when we heard the news of Michael’s death, what was there got a bigger spotlight.”

In August, Weinger contacted Russ and asked him if he would be interested in mixing eleven newly discovered J5 tracks from 1970. It took Russ all of a few seconds to reply and, within a couple of weeks, the digital files of eleven old Jackson 5 multi-track masters were delivered to Russ. Russ then proceeded to meticulously mix down the old recordings in a state-of-the art digital recording facility located in Scots Valley, California called ROCKER STUDIOS, owned by his good friend, RICK VIERRA.

It took Russ and Rick about a month to complete the eleven mixes, finishing the project at the end of September. Working with my partner Brett Bumeter, I first released the story online online about this exciting new release in mid-September, and UME made the “official “ announcement about the release of the new album three weeks later.

In a blog story we posted last month, Russ described the project as one of the most rewarding experiences of his professional life, and was moved by the process of mixing the tracks. “It really was a labor of love,” he remarked in the article.

The tracks sound great! Russ managed to capture and perfectly emulate the sounds he first molded and blended decades ago that sold tens of millions of singles and albums for the label. Listening to the just-released J5 tracks is, as Russ himself described the mixing process, “like stepping back in a time machine.”

The new J5 album, like all the projects Russ touched during his amazing career, is nothing short of a masterpiece, particularly from the standpoint of its impeccable vintage substance—and sound. It’s definitely worth a listen, and a purchase to complete any collection of early Jackson family classics!

I managed to reach Russ on the phone just as the album was becoming available yesterday and asked him about how he felt on this day of the release of the new Jackson 5 album

“It’s about time!” he quipped. “Seriously Joe, this really is exciting. I can’t remember the last time I was this excited about the release of an album I have mixed!”

I asked Russ if there were any other thoughts or feeling he’d like to share about the project.

“It really was a thrill to work on this album. Mixing those tracks stirred up so many memories and emotions about all the time I spent working with Michael and his brothers. It really was a rewarding experience I’ll never forget.”

Last night, Russ sent me an awesome and memorable photo he took at a Motown Records company picnic in the early seventies. It’s a photo of a beaming young MICHAEL JACKSON holding his baby niece, STACEE BROWN, the daughter of his oldest sister, MAUREEN REILETTE “REBBIE” JACKSON. This particular photo has never been published, and captures a rare moment with Michael and demonstrates just how much he always loved children, even as a young teenager himself!

Kudos to my long-time friend Russ Terrana for another job well done, and his own vital role in yet one more piece of pop music history……It’s great to see that those good old “ears” are still working great!

Next week, we’ll be posting an article that is an extensive and comprehensive look at the career, accomplishments and techniques of the humble genius with more number one records to his credit than any other sound engineer in music history. It’s a story you won’t want to miss!

Russ added one last comment at the end of our phone call yesterday, a heartfelt message from one of the people so responsible for the creation of the early Jackson 5 and Michael Jackson solo hits. “This one’s from me to Michael, and, now, for the world.”

Well said,old friend!

By Joe Klein

Today, in an email sent out to fans that signed up a few weeks ago to hear the first new Jackson 5 track from the upcoming release “I Want You Back! Unreleased Maters,” Motown Records announced that four more tracks were available for “preview” online.

This brings a total of five tracks now unveiled to the public, of a total of twelve that are on the new album, which will be released on November 10. The project is being produced and marketed by UNIVERSAL MUSIC ENTERPRISES, the division of the Universal Music Group that is responsible for repackaging and marketing of most of UMG’s back catalog product, including the Motown label.

In an exclusive story we broke online back in mid-September (weeks before the “official” press release about the new album), and in a subsequent article we posted online, we wrote about our friend Russ Terrana, the engineer who mixed these newly-discovered “lost tracks” of the Jackson 5 over a month-long period from the end of August until the end of September.

(***UPDATED 10/23/09*** A press release about the new J5 songs was issued by UME and hit the wires early today and appeared on the Reuters news service a short time later.)

We also published three blog posts about the project here on our own company blog over the last month. In those articles, we mentioned how Russ worked tirelessly and diligently in a state-of the-art digital recording facility in Scots Valley, California called ROCKER STUDIOS, owned by his good friend, RICK VIERRA. Russ and Rick employed a battery of digital tools and tricks to bring the 40 year-old analog audio master tapes back to life and recreate the very same sounds Russ achieved when mixing the original Jackson 5 hits forty years ago! The result is a collection of tracks that sound like clean, digitally re-mastered versions of J5 songs recorded and mixed back in 1970. But these tracks were, in fact, mixed down just last month!

Recreating the classic Motown “sound of the sixties” with such precision and accuracy is most definitely a feat to be marveled at, deserving of praise from the most experienced recording engineers, pop music historians and fans alike. That it was accomplished on the earliest recordings of the legendary Jackson brothers makes these new recordings that much more notable.

Of the tracks just made public, the song I’LL TRY YOU’LL TRY (MAYBE WE’LL ALL GET BY) is particularly worth a listen, as it features a truly “classic” Motown style and sound, eerily reminiscent of hits like I CAN’T GET NEXT TO YOU by The Temptations and the version of I HEARD IT THROUGH THE GRAPEVINE recorded by Gladys Knight and The Pips. Russ mixed both of these classics as well back in the old Detroit Motown studios (before Motown moved their entire label operations and studios out to Hollywood in the early seventies).

Check out the sound of these two late sixties chart-toppers in the videos below, then listen to the new Jackson 5 track “I’ll Try You’ll Try” and you’ll hear the similarities! Of course the new J5 mixes perfectly emulate the sound of the early Jackson 5 hits. But by listening to these two other tracks, it becomes clear how Russ really did achieve a signature “Motown Sound” that carried over between artists and evolved through the years. The audio style and textures Russ molded in the sixties, seventies and eighties really did influence recorded pop music in many ways that few appreciate to this day!

You can hear the four new J5 tracks mixed by Russ online now, by clicking on the photo of the group at the top of this post, or click here to be taken directly to the page where you can preview the four new tracks and order the new album online.

As Motown’s chief recording engineer for over twenty years (up until the very end of Berry Gordy’s ownership of the label), Russ is credited for having mixed and recorded no less than an incredible 89 number one hit singles, hundreds of additional charted singles and many hundreds (if not thousands) more tracks from hundreds more Motown albums. This is a feat unequaled by any other pop music recording engineer in history, making Russ a true “living legend” in the history of pop music!

All of us at New Media Creative take our collective hats off to Russ Terrana! We plan to release an extensive follow-up article (or two) about about our gifted, old friend to coincide with the release of the new Jackson 5 album on November 10. So do stand by for that.

RUSS TERRANA AND RICK VIERRA IN ROCKER STUDIOS

Meanwhile, coming up next on the company blog, extensive coverage and commentary about last week’s Blogworld and New Media Expo and all the big new media and social networking news to emerge from that conference and the just-ended Web 2.0 summit in San Francisco. There’s so much to report that it’s taken us a couple of days just to gather all the information! Now that we’ve taken it all in, we’ll try to boil it all and make sense of it all here on the company blog over the next several days. As always, STAY TUNED!

By Joe Klein

There has been a whole lot of hoopla over the last couple months about the existence of so-called “lost” Michael Jackson songs or recordings. One of the biggest and widely-circulated rumors was that Michael’s sister Latoya Jackson had “smuggled out” a hundred or more recordings contained on hard drives, CD’s or cassettes from the mansion rented by the King Of Pop in the hours following his sudden and unexpected death. LaToya denied this allegation in an interview with Barbara Walters that aired last week on ABC’s 20/20 telecast.

Almost immediately following Michael’s passing in June, the lust for songs and anything and everything recorded by Michael Jackson has been building, almost to a frenzy not seen since the glory years of MJ in the late eighties and early nineties. A frantic search has been on for new, undiscovered or otherwise “lost” material.

Besides all the gossip surrounding Latoya, rumors have also been circulating of the existence of a library of unreleased material at Epic Records, the label that Michael Jackson and The Jacksons recorded for following their departure from Motown Records in the mid-eighties. However, until now, there has been little buzz about the existence of “lost tracks” of Michael or the Jackson 5 in the most obvious “lost and found” department of all, the vaults of Motown, Berry Gordy’s storied Detroit label where their fabled and historic careers began.

The day after the MTV Video Music Awards played homage to MJ, we posted a story online that broke the news about a cache of early recordings of Michael and the his brothers had been found! We released a second story the following day.

Apparently the old multi-track analog master tapes, which are early recordings of the Jackson 5 with a pre-teen Michael Jackson singing lead vocals, were uncovered at some point over the summer and converted to digital audio data. At the end of August, Harry Weinger, a senior executive at Universal Music Enterprises (who markets the old Motown catalog product) contacted my old friend Russ Terrana, the highly respected and gifted engineer who mixed and recorded most the early Jackson 5 and Micahel Jackson Motown hits. Weinger asked Terrana if he would be interested in digitally mixing several newly-discovered Jackson 5 songs, and Russ jumped at the chance.

I posted the story here on our company’s blog just after the second breaking news story appeared online. I was thrilled for Russ when I first learned of the project back at the end of August and asked if I could blog about it. I was even more excited to break the story to the world and help get Russ some newly found attention and much-deserved recognition for the mountain of success and accomplishments he’s achieved over the years, plus his unquestionable contribution to the history of recorded pop music.

Terrana is currently mixing down eleven songs never before released in a small facility in Scots Valley, California called ROCKER STUDIOS, owned by a good friend of Russ’ named Rick Vierra. Russ hopes to have the mixes done at some point over the next week or two. Meanwhile, Weinger told Russ that UME is planning to release the tracks as a “new” Jackson 5 album in November, just in time for the holiday buying season, and this seems consistent with another story that appeared online just after our first story broke. This item reports that the new collection will be called “I Want You Back” (a pretty good, an appropriate title for the package) and that UME has scheduled a release date of November 10 for the new album! This seems consistent with what Weinger told Russ a couple weeks ago.

As far as the existence of more “hidden gems,” nothing further has been confirmed at this point. But there’s little doubt the rumors, speculation and reports of more discoveries of MJ and J5 material will continue for some time, and the story of “lost tracks” of Michael Jackson will go on for months, if not years, to come.

The story about the first confirmed “find” of “lost tracks” featuring Michael Jackson is sure to build excitement to fans the world over and is already starting to create a stir among fans of the King Of Pop and his storied family as it starts circulating around the net. The first story we published online is here and our follow up story, released a day later, can be found here.